Movie: The Road (3/5 stars) (2009)

"The Road" stars Viggo Mortgenson as "man" and Kodi Smit-McPhee as "boy". There are no names at all in the movie. There was a "woman", played by Charlize Theron and lots of other parts like "bearded man", "thief" and "old man" etc...

The movie is a post apocalyptic science fiction movie. I can only assume that it is set in the future, but it may have been set in the past - it's hard to tell. There is only devastation and barren waste everywhere in the movie.

The story is simple. A man and a boy are wandering the wasteland headed south for no reason except that they are looking for the ocean and hopefully something better than what they left behind. They meet some people and see some screwed up crap and you quickly get the idea that the world is not what we are used to. This isn't "The Book of Eli", where there is a quite thick veil of bullshit over the entire movie. This feels REAL.

Despite its simplicity, each scene is thick with detail and has real impact. The psychology of the situation is evident constantly and the concepts of "hunger", "loneliness", "happiness" and "friendly" are violently twisted into new meanings.

The movie does nothing to explain the apocalypse itself, i.e. what happened or why. It isn't part of the focus. We don't know if there was nuclear holocaust, a disease or aliens, we just know that we're here and it's dire.

In many ways brilliant, but at the same time, depressing and and unsatisfying. You go away impressed at the quality of the acting, directing and cinematography, but don't really know the point of it.

Movie: The Girl with the Dragon Tattoo (3.5/5) (2009)

If you haven't heard of this movie or the novel, then you've probably been living under a rock for the last two years. It's new to DVD, and we rented it last night.

I wasn't sure what to expect, since I'd never read the novel. I knew there was a female hacker with a dragon tattoo and that's about it. AND - just so you know, it's not a cute, little tattoo of Mushu from Disney's Mulan, it's a honking, huge, evil looking dragon tattoo that covers her whole back.

I was pleasantly surprised. The movie was simple and didn't try to over reach itself. There was no pretension, just a nice, simple mystery movie that was interesting the entire way through. The fact that it was in Swedish didn't hurt it at all, and I really loved comparing the Swedish to the English subtitles and noticing how similar many of the sounds were. There are several sentences that are identical ("Are you ok?") and lots of nearly identical words that added a positive dimension to the movie.

Mikael Blomkvist is hired by a rich businessman named Martin Vanger to solve a 40 year old murder. Vanger's favorite niece Harriet, who he loved like a daughter disappeared in 1966 and he wants to know what happened to her. He isn't really expecting results, but wants someone working on it who won't give up.

Mikael doesn't know it at first, but the title character Lisbeth Salander takes an interest in his case after hacking his computer for another job. Lisbeth is by far the most interesting character and comes from a dark and sordid background. She is 24 years old and still has a guardian assigned by the state for some reason. Eventually, Mikael and Lisbeth track various tenuous leads and get pulled into a mystery bigger than either imagined.

The movie taught me quite a lot about storytelling. Since I've been writing my own novels, I pay close attention to how movies and novels progress their stories. The main thing it taught me is that motivations for your villains is a nice to have, but not 100% necessary. You can just have them just being evil with almost no explanation - the success of the book and movie are proof of this. Another lesson that I've already learned from Taken with Liam Neeson - if you make the villains evil enough, your hero can do whatever they want to them and you will feel absolutely no sympathy.

Movie: Van Diemen's Land (4/5) (2009)

The cinematographer did an absolutely amazing job. The last time that I was THAT amazed at a movie's visuals was Girl with a Pearl Earring (2003) where every frame was like a 17th century painting.

In Van Diemen's Land a group of Irish, English and Scottish criminals engineer an escape from Macquarie Harbour, Tasmania (formerly known as Van Dieman's Land), an end-of-the-road place for men whose punishment is a lifetime of slavery. Their escape goes wrong and they end up running into the forest to escape British soldiers.

The camp fire scenes were amazingly lit - like worn paintings of faces in amber and black. The lighting techniques were repetitive, either a camp fire scene, a long, scenery shot or men walking in the forest, but so, so realistic. I was regularly in awe of the look and feel.

The movie had impact, a realism that is rare in film. The dirt under the fingernails, in the ears, on the skin, teeth and clothing looked right. At no point were you ever pulled from the movie - it surrounds you with the hunger and anxiety of the characters. The brutality is ultra-real and as far from being romanticized as is possible.

The story is simple. A story of escape and survival in the wilds, about desperate measures in harsh circumstances.

The character of Alexander Pearce narrates in Irish Gaelic, and the film makers decide to turn him him into an eloquent poet, a literary genius and philosopher, rather than just a common, murderous thug. It was the right choice to make Pearce narrate in something other than English and make his English rather poor as it heightens the tension and make Pearce even that much more of an outsider.

This is a brilliant but disturbing film that is amazing to watch. I want film makers to watch and learn from this film.

Movie: The Vintner's Luck (2/5 stars) (2009)

How would your life be different if an angel took interest in you and your passions, your desires?

Not that different apparently, except maybe you'd get involved in a gay relationship with said angel.

There were bits of brilliance, but overall, this movie is a lot of failure and very little success.

Things they did well:
- casting, the angel is creepy and androgynous, Sobran is a convincing, passionate wine maker, and many of the supporting roles are well done.
- some of the reveals about the angel were interesting
- ah... nothing else I can think of...

Things they did badly:
- While I'm a fan of Keisha Castle Hughes, I thought she was one of the weaker casts and was out of place the entire time
- The sex scenes were incredibly random. Rather than have a conversation, Sobran would just flip over, climb on top and pump away - not very sexy at all
- I kept expecting the angel's wings to just fall off
- The "sex scene" between Sobran and the angle was just dumb
- there is always the feeling that if the camera panned just 1 cm to the right or left, you would see some stage hand picking his nose. It felt quite shallow and fragile the entire time.

The most telling sign that this movie was dull? I kept wandering off to the kitchen for something to eat or drink without bothering to pause it. I sat through all of "Sunshine" with Ralph Fiennes. Believe me, I have patience.

I feel bad for Elizabeth Knox, the Wellington writer who wrote the original novel. She can't have been happy with this effort.

TV series: V (2/5) 2009

Everyone remembers the original "V" with the lizard aliens and eating the guinea pigs with their gaping mouths etc.. etc...

The new series isn't a re-telling of the original. That's good, since you get a new experience out of it.

My overall impressions:

- I like the actors, both V and human are well played and well directed. Elizabeth Mitchell (Juliette from "Lost") plays Erica Evans, an FBI agent, Morena Baccarin (Inara from "Serenity"/"Firefly", and Adria from "Stargate SG-1") plays Anna, the alien leader. In many ways, the rest of the story is incidental and the story is one of mother against mother.

- The story is pretty interesting, i.e. forming a resistance against an overwhelming enemy

- The special effects, specifically the background shots on the mothership are really bad - laughably so. Very obviously fake

- For a resistance cell led by an FBI agent and a former special ops guy, they are incredibly incompetent, made worse by the incompetence of the aliens to let them get away with it. They are regularly meeting in public places, saying each others names over their cell phones also in public places, including the FBI office!, getting caught on camera and the list goes on. I would be scared letting these people head a resistance. Fortunately, it's all fiction and I'm sure it will work out in the end.

While I'm hopeful that the series will get better, I'm not holding my breath and I think season one was, at best, a mediocre start.